This

Feebly mined membranes hosting
The what was called the deranged
Arranged towards sentences that
Dragged on for decades, a rebuttal,
A retort of sorts that we’d resort to
Resting at a temporary plane today
To deign to cast judgement on
Characters in plays that depicted
A vanity in vain, utilizing facts ingrained
In the subconscious as a solution to
Identities invariably birthed and grossly gained;
A stain in a history of our own choosing
In choices made again and again, words
Estranged in their origin, wanton avoidance
Manifested in appearances moralized in
Definitions of sentiences that consisted
Of nothing more than a mere pile of
Flesh and bones, simplified in deprecation
Then exploring existentialism as though
It were novel or even relevant

A detachment in mirrored dualisms
Conceptually intermingled in fibers
Ambiguous lessons taught, faded
In the background, conclusively
Deciding wired connectivity in matters
Passing through inks seeping into
Another existence, like the earth and organs.

Eintagsfliege · Dominik Eulberg

His Humming Smile

Baring perspectives of affected empaths, effectively in kind,
Tepidly relates effervescences in unraveling adoration proclivities,
Debauched Freudian principles, defunct because of errant
Callings in competitiveness, combativeness reusability hills
Daring to explore a psyche, yearning to lose, low key, nothing.

You Are My Natural Selection – Ernesto Schnack

Zeroing In

Speeding down, the road racers,
Lights, blurring past, indiscernible
Opportunistic hijackers taking advantage
Of weaknesses in telecommunications
Up in navigation lines prompted by hackers,
Stole freedoms that belonged to just one,
Still stalling, disoriented, unorganized, afraid
Of vapors that would vanish in visibility,
Engrained in wooded memory with unpolished
Swords, rusty and rustically themed,
Unable to cut or chisel something discernible.

Then dawn:
Drawn daggers repetitively
Carve with the same motion until drawn in.

Shits and Giggles

They sit at tapering tables, placing orders,
Sailors dressed up in turds, sort of chic,
Atop of stone masonry galleys gabbing
About abbots appealing with a sense of
Austerity, coarsely rocking in rustic auburn
Lighting, morose in their poop filled heads,
Multiple personalities discussing disgusting
Excrements, with no table manners no less,
Pretending they’re not affected by passers
Passing judgement, as though profundity
Somehow lied in their prides, gathered
And packed, wearing embellished mules
Sardonically in their irony, because dossier
Truths must have only belonged to them.

“That table is brown.”
“I know.”
But they contemplate the necessity
In pointing out the obvious, because
The obvious wasn’t actually
Obvious
Obviously
“But it’s… brown…” (???)
Because they probably didn’t remember
The phrase they said in that dimly lit tavern
On a ship at some arbitrarily dreamt up bay.

Human Blight

Indie spinsters confirm under estimations as paupers
Welded streams stream, wiles in the covert actionably contact
Shouldered discomfort seldom in what was felt, thoughtlessly
Extricated, prolonging a sense of longing, harnessings detached
From onlookers’ and their sadomasochistic blithe, whence
Younger generations of rights in civilizations and their light
Oneiric, intents transparent, they snort potpourri illusorily
Click, click, click, convincing everyone wolves traversed beyond,
They spy, creeping in the shadows, weighted steps encroach,
Running silently across grassy acred yards, silvery reflections
Glisten from blades, beneath and unsheathed,
Whereupon they reached a glade,

They pause,

Chases premediated by the gods,
Blasted rose petals magically appear
Out from the thin air,
Standing too far, within reach.

Ivan Torrent – The Edge Of Consciousness (Epic Powerful Inspirational Hybrid)

Documented Plenty

Outstretched arms balancing mini hominins ubiquitously alarmed,
Urgently skip on terracotta, alternating limbs blur in a flurry, accented
In the scents of wispy frost, leaving no traces on fluffy settlements; a
Dilapidated building, long ago erected with pagodas, footprints perhaps
Knocked down, crunched up, randomised prior to having wandered in
Dank floors, ghostly memoirs procured from dusty grimoires, flakey
Centrifugal forces spin in finite axels, arms drawn in atlases elegiac
Beauty at dawn, dawning arthropodic instincts towards caught flares
Thinking ever so slightly, hoping to face incantations then, alas, fate
Garishly laughs at their privy in gritty countable chances confirmed.

Libeccio – Dominique Charpentier

Somewhere I’m Sure

She rests her head, heaving, too much on the side of
Ivories unsure, scant her real tears streaking past eyes and an ear,
Tints unseen, wisely dropping atop a harnessed memento mori,
Opalescent pillow tops, tired moonstone distances acute,
Klink icily without disappearing searing loves received and given
Abjectly expressing despairs in memories, thinking at an end
Yielding semantical heartbreak if but bested in severities.

Helios (feat. Max Knoth, Deutsches Filmorchester Babelsberg) · Dirk Maassen

Absolved Love and Hate

Ostensible causalities, apprehensibly reprehensible, mitigate
Tantalising remembrances of dimensional beasts, harbingers
Yammering about enchantments flick ofuda card talismans
And seal what were alternate universe demons, mysteriously vetoing
Nonchalant counterparts sit strung on ledges aeolian breathing,
Observing from distances, footholds hoping, ameliorating
Incremental stasis, gazing about at scapes, forlorn in uncertainty,
Negligibly mesmeric, defunct versions of Occam’s razors trace
Grappled ropes gliding on one hand, the other scuttling, skidding down slopes.

Thin Floors And Tall Ceilings – ODESZA

Canonical Patrons

Galactic icey rocket astronauts, prioritize the quest’s paramountcy,
Teleporting into foreign sectors of political alignments, eyed
Sbyll systems referencing illumined balancing acts on escapades
Frantic in illusions risqué, posthumous medals with reliefs of acanthi
Variants, raised eases in painlessness like consumptions cyclically
Timed for slaking the vampiric, this illusorily sown at the uttermost chaste
Generation, having practiced self-control, when they said “shiznits”.

The Workers of Art – The Cinematic Orchestra